Creative agency glossaryFinance and Billing

Project Profitability

Project profitability is the money a single project makes after its direct costs, compared to what the estimate assumed, and the most useful number an agency can learn from at wrap.

What is project profitability?

Project profitability is the result of one job. Take the fee the client paid, subtract every direct cost of delivering it (crew, freelancers, equipment, locations, talent, travel, post vendors, and the time of the agency's own people at a loaded cost), and what remains is the project's gross profit. Express it as a percentage of the fee and it is the project margin. Compare it to the margin the estimate assumed and you have the one piece of information that makes the next estimate better.

It is measured at wrap, but it is watched during the job: the producer tracks spend and hours against the budget as the work happens, so that a project heading for a loss is visible while something can still be done.

Why it matters

Why project profitability matters

An agency's profit is the sum of its projects. The company-level margin is an average, and averages hide things: the kind of production that always runs over, the client whose revisions never end, the fixed fee that was set two years ago and never revisited. Project profitability is where those patterns become visible, one job at a time. It tells the agency which work to pursue, which to reprice and which to decline, and it tells producers whether their estimates are honest. It is also the fairest way to judge a job, because it accounts for what the work actually took rather than what it was sold for.

For clients, an agency that knows its project profitability is an agency that can hold a price without padding it, because it knows where the money goes.

In practice

How project profitability works in practice

  1. 01

    The budget sets the expected margin. During the job, time is logged against the project by everyone who touches it, expenses are captured with receipts, and supplier invoices are marked as committed when they arrive. The producer reviews actuals and commitments against the budget weekly, and a change in scope triggers a change order rather than silent absorption.

  2. 02

    At wrap, the final actuals are compared to the estimate line by line: where the hours ran over, which cost came in high, what was never in the budget at all. The result goes into a short review with the creative lead, and the lessons go into the library of real costs that the next estimate is built from. Over a year, the reviews are read together by client and by type of work.

At RIOT

Project profitability at RIOT

Every project we take starts as a scoped plan and a number, sent within a couple of business days, and that plan lives in Krova, our production software, from the bid through the budget to delivery. Because the number we quoted and the production we ran sit in the same place, the comparison at wrap is a report to read, not a spreadsheet to build.

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Watch out

What people get wrong about project profitability

Leaving staff time out. A fixed-fee job with no freelancers looks almost entirely profitable until the month of senior time on it is counted. The second mistake is reviewing only the jobs that went wrong. The ones that went right are where the agency learns what to sell more of. The third is treating the wrap review as blame. A project that lost money is usually a scoping or pricing lesson, and a team that fears the review will stop logging honestly.

Questions

People also ask

How do you calculate project profitability?

Fee minus direct costs: crew, freelancers, equipment, locations, talent, travel, post vendors and the agency's own staff time at a loaded hourly cost. Divide by the fee for the project margin, and compare it to what the estimate assumed.

Should staff time be included in project costs?

Yes, at a loaded cost that covers salary and benefits. Without it, fixed-fee projects with no outside costs look almost entirely profitable, which is how agencies underprice their own time.

When should project profitability be reviewed?

Weekly during the job, against the budget, so overruns are caught early. Then once at wrap, against the estimate, so the lessons go into the next quote.

Next to it in the glossary

  1. Product Base MarginProduct base margin is the gap between what a product costs to make or buy and what it sells for, before discounts, marketing and overhead are counted.
  2. ProfitabilityProfitability is how much of a business's revenue it keeps after all costs, measured across the company, a client or a single project, and the plainest test of whether the work is priced and run well.
  3. Project Budget ManagementProject budget management is the practice of tracking what a creative project is actually costing against what was planned, as it happens, so it stays on track and ends profitable.
  4. Rate CardA rate card is a published list of an agency's prices for its people, services or deliverables, used to build quotes and set expectations before a scope exists.
  5. Retainer AgreementA retainer agreement is a contract in which a client pays an agency a recurring fee, usually monthly, for an agreed scope of work or a reserved amount of its time.
  6. Retainer BillingRetainer billing is the invoicing of a fixed fee on a regular schedule, usually monthly, for an ongoing agency engagement, instead of billing each piece of work separately.

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RIOT is a creative agency and production studio in New York. Strategy, brand, film, photography, design and the campaigns that carry them, made by one team. A few lines is enough to start: we read every brief the same day.

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