- Artist
- Bleed ElectricMUG5, Silk, Siege
- Track
- Gravity03 of Let The Invasion Begin
- Runtime
- 4:00
- Premiere
- 13 June 2026YouTube
- Direction
- MUG5RIOT

The atlas
Four minutes. Sixteen worlds.
Every world we built for the film, in order of appearance. Tap a timecode and the film above jumps straight to it.
Sand Room
Poppy Cliff
Red Jungle
Mars Craters
Salt Flat
Desert Highway
Subway
Low Orbit
Coastal Mosque
Pylon Night
Pigeon Square
Zero Gravity
Roadside Encounter
Wheat Field Elevator
Eagle Shore
Event Horizon
“Gravity” is about the invisible force that keeps you in place. Our film is about the exact moment it breaks.
Of everything Bleed Electric has made, “Gravity” is the most pop-forward: bright, melodic, built to stick. It is also a goodbye. The hook says it plainly, “I’m leaving ’cause you’re gravity, and gravity ain’t holding me down.” As our founder MUG5 told Mundane, the song “smiles while it cuts the cord.”
MUG5 has been trying to make the Gravity music video for fourteen years. On 13 June 2026 it finally flew: a four-minute escape across sixteen worlds, built at RIOT from live action, CGI and AI imagery, with a message most people only catch on the way out.

The video we lost in 2012
The first attempt predates RIOT itself. In late 2011 Silk and Siege filmed their parts on phones in Wales while MUG5 shot his in California, the day before a UFC main event, wandering the streets for a couple of hours with Rick Lee. The edit came together in Adobe Premiere, and just as it was ready to export, the project corrupted. The video never came out, and soon the music vanished from streaming too. For more than a decade Bleed Electric survived only as memory and rumor, while MUG5 built RIOT and RIOT built the skills, the toolset and the talent this film would one day need.
Fourteen years, one flight
Gravity ain't holding me down
2010The songGravity is finished: a pop song about leaving.
2011The first shootSilk and Siege film on phones in Wales. MUG5 shoots in California.
2012LostThe Premiere project corrupts just before export. The video never comes out.
2013The EPLet The Invasion Begin is released on 26 February, then vanishes from streaming.
Feb 2026The returnThe EP comes back on 26 February, thirteen years to the day.
Jun 2026Lift-offThe Gravity film premieres on 13 June.

Stillness, then motion
We open the film on stillness. A figure draped in indigo sits in a room swallowed by sand. Another stands at the edge of a cliff in a field of poppies. A red veil drifts through a jungle.
Then everything starts to move. People from different cultures and realities choose motion over stillness: down desert highways and terraced streets, through subway cars and pigeon-filled squares, past a mosque on the coast, into orbit and out toward an event horizon. Some departures are grounded and human. Others turn mythic. We built that scale on purpose. Leaving is not always physical. Sometimes it feels as impossible as escaping the atmosphere.

The World We Built
“Gravity” is a hybrid film. MUG5 directed, cut and graded live-action footage, CGI environments and AI-generated imagery into one continuous world, so a skater on a terraced street and a traveller crossing Mars feel like part of the same story. We let the film move between eras on purpose: grainy, sun-blown street photography sits right next to clean orbital CGI.
The craft is in the sequencing. Each cut hands the escape from one traveller to the next, so the film plays as a single journey even though almost no two shots share a world. Color does the same work, holding sixteen places together. We sampled the palette below straight from the frames.
Vessels of freedom
We cast the skateboard, the BMX, the motorbike and the horse as vessels, never as spectacle. They stand for velocity in places where stillness was expected, and for choice where choice was denied. Riders skate on rooftops, pull wheelies through concrete underpasses and ride the seafront with dogs at their heels.
Gravity only wins when you stop trying to fly.
Every story was hers
The film gives up its truth slowly, and we designed it that way. By the final frames you realize every story you have watched belongs to a woman. The astronaut who closes the film is the same story told one last time, at the edge of space.
What reads at first as a universal escape becomes something more pointed and more urgent: a tribute to women finding the strength to leave situations that are dangerous, oppressive, suffocating, or simply no longer survivable.


The record
Let The Invasion Begin
“Gravity” is track three on Let The Invasion Begin, the EP that returned on 26 February 2026, thirteen years to the day after its first release. The film is one piece of that larger world, and the EP gets its own story soon.
Bleed Electric's first official physical release, now on vinyl.
Heard in the press
An essential voice in the modern music scene.

Gripping, stylized visuals that blend live action with CGI and AI.
There are bands. And then there are systems.

A multimedia guerilla campaign fueled by mystery.

What comes next
Bleed Electric’s reverse transmission is not finished. Every release takes Bleed Electric one step closer to its origin, and the road ends where it started: The Butterfly Effect, the album conceived as a film, which the band is aiming to release as a full visual work in 2027. We intend to build that one too.
Until then, “Gravity” is the clearest statement of what this project is. A pop song with a knife in it. A film about leaving, made by the people who almost left it behind.
Credits
- Bleed Electric
- MUG5 · Silk · Siege
- Directed by
- MUG5
- Edit + Color
- MUG5
- Post Production
- RIOT

























