Creative agency glossaryContent and Creative Development

Lookbooks

A lookbook is a curated set of images that presents a collection or a brand's style, showing how the pieces look together and how they are meant to be worn.

What is a lookbook?

A lookbook is a collection of images that shows a range of clothes, accessories or products styled and photographed together, presenting a season or a collection as a whole. It started in fashion, where designers use it to show buyers, press and customers the looks they had in mind: which pieces go together, how they are meant to be worn and what world they belong to. Today it might be a printed book, a PDF, a scrolling web page, a social carousel or a short film.

It sits between a catalog and a campaign. A catalog lists products; a campaign sells a feeling. A lookbook does both, with the clothes clearly visible and the mood clearly set, and it is often the first complete picture anyone outside the studio sees of a new collection. Years later, lookbooks are also how a brand remembers what it made.

Why it matters

Why lookbooks matter

Customers buy outfits, not items. A lookbook shows them how pieces combine, which raises the value of every sale and helps people imagine themselves wearing the collection. For wholesale buyers and press, it is the working document of the season: the quickest way to understand the range and choose from it, and the reference stylists pull from when they request samples.

For a brand, the lookbook is also a statement of taste. The casting, the location and the styling tell people who the brand is for, often more clearly than any copy, and they set the tone for every campaign and social post that follows.

In practice

How lookbooks work in practice

  1. 01

    The collection drives the plan. The creative director and the stylist decide the looks, the order and the story, then cast models, choose a location or set and agree a visual approach that suits the range. Lookbook shoots are long days with many outfit changes, so the shot list, wardrobe logistics and the hair and makeup schedule are planned tightly. Each look is usually shot full length, with details and a few mood frames, and a good producer builds in time for steaming between every change. Many brands now shoot a short lookbook film on the same day, with the same looks and set.

  2. 02

    After the shoot, selects are retouched consistently, with colors true to the real garments, and laid out with product names, codes and sometimes prices. The lookbook is delivered in the formats each audience needs: a high-resolution book for buyers and press, a lighter version for the web, and cutdowns for social.

Watch out

What people get wrong about lookbooks

Turning it into a campaign. A lookbook so stylized that the clothes disappear fails at its main job, which is showing the product. The other mistake is turning it into a catalog: rows of identical shots with no story give buyers and customers nothing to fall for. The best lookbooks balance clarity and mood on every page. A third is shooting it too late. If the lookbook is not ready when buyers and press start asking, the season starts without it.

Questions

People also ask

What is the difference between a lookbook and a catalog?

A catalog lists products, often one per image, with prices and details, to help people buy. A lookbook presents styled looks that show how products go together and what the collection feels like. Many brands now merge the two online with shoppable lookbooks.

Who uses lookbooks?

Fashion and accessories brands most of all, but also furniture, interiors, eyewear and lifestyle brands. The audiences include wholesale buyers, press and stylists choosing pieces, and customers browsing a new season.

How many looks should a lookbook include?

Enough to cover the collection without repeating itself, often somewhere between fifteen and forty for a seasonal range. A capsule collection might need only eight to twelve. Every key piece should appear at least once.

Next to it in the glossary

  1. Interactive StorytellingInteractive storytelling is narrative in which the audience makes choices that shape what they see, hear or discover.
  2. IP DevelopmentIP development is the creation of original, ownable creative properties, from series and formats to characters and products, that a brand or studio controls outright.
  3. Long-Form ContentLong-form content is any piece, written or filmed, that is long enough to go deep: a documentary, a feature article, a guide, a series, rather than a post built for a scroll.
  4. Motion GraphicsMotion graphics are animated graphic design: type, shapes, logos and data set in motion to explain, introduce or brand a piece of video.
  5. New Format ExperimentsA new format experiment is a small, deliberate test of an unfamiliar format, platform or technology, run to learn whether it deserves a bigger investment.
  6. On-Location PhotographyOn-location photography is photography shot in real places outside a studio, using the setting, its light and its atmosphere as part of the image.

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