Siemens: Innovation Summit 2015 – Graphics Package
Siemens PLM Software’s 2015 Innovation Leadership Summit is an invitation-only executive event. This year’s theme is “Realizing Innovation”. Learn from industry leaders how digitalization is transforming the manufacturing industry, and how technology and complexity are changing the way products are designed, built, and supported. RIOT put together a custom graphics package for this, as they wanted to livestream the event to other employees around the world. The result is a soothing graphics package in varying shades of teal. Above, we have included the seamless looping logo that was used on screens when nothing else was on the screens; hence, the movement needed to be visible but not jarring when it was played for minutes at a time. Other GFX package assets we created included lower thirds, logo bugs, and varying full-screens to accompany the content.
Fourteen years after its first video was abandoned, Bleed Electric's Gravity finally flies: a four-minute escape across sixteen worlds, directed by MUG5 and built by RIOT from live action, CGI and AI imagery.
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Forged in the after-hours quiet when the world sleeps and creation wakes, This Is My Masterpiece is RIOT at full voltage. Directed by MUG5, the film resurrects a 2009 prophecy and transforms it into an apocalyptic vision stitched from VFX, AI hallucinations, C4D architecture, binary-coded secrets, and pure creative instinct. A world-ending fever dream, designed, sculpted, and born entirely inside RIOT’s creative engine.
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A cinematic short film by RIOT for Coach, Bag Man tells the story of Lew Frankfort, the Bronx kid who turned fear into focus, logic into art, and a leather workshop into one of America’s most iconic fashion brands. Through unscripted storytelling and archival imagery, the film reveals the human philosophy at the heart of Coach’s rise: Magic + Logic.
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For The Pursuit is the U.S. Chamber of Commerce brand film: more than a century of American enterprise in two and a half minutes, made to open the events in the Chamber’s Great Hall. Written, shot in Washington on RED and 16mm, restored, cut and built into the room by RIOT.
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