- Client
- NutrafolThe hair growth supplement brand
- Retailer
- Sephorasephora.com from 31 January 2023, stores from late February
- Films
- TwelveTen science films, one per product, and two Beauty Advisor trainings
- Versions
- Every one twiceWith and without subtitles
- Made in
- Six weeksStoryboards to delivery
- Shot on
- Three RED camerasSix days at RIOT’s studios
Twelve films in six weeks, to explain the science of hair growth to Sephora shoppers in about a minute each.
This January, Nutrafol arrived at Sephora. The launch brought the hair growth nutraceuticals and the new hair care range to sephora.com on 31 January, with select stores to follow in February, and every product needed a film. Ten of them, one per formula, had to make clinical hair science feel simple enough for a beauty aisle. Two more had to teach Sephora’s Beauty Advisors the whole range. We made all twelve, start to finish, in six weeks.

Science, without the nerves
Nutrafol’s brief came in on 5 October: short consumer films about the science behind each product, plus internal films to train Sephora’s staff. “Science” is a hard word on a beauty shelf. The treatment answered it with calm, clean product films, warm hands and soft light, and with the science itself drawn as simple vector animation in Nutrafol’s own teal, rather than charts or stock b-roll.
“When we initially said ‘science’ videos they were really nervous, but they were super impressed by how direct and approachable they feel.”
One film, built from parts
Twelve storyboards would have eaten the schedule. So we boarded two films, Women and Strand Defender, one from each range, and broke them into parts that every film would share. Nutrafol signed off on the parts, knowing the exact pictures would change product by product. From then on, each new film was the same system with a different formula inside it.
The storyboards, 3 November 2022
Anatomy of a Nutrafol film
Every one of the ten films is built from the same parts, in the same order, so the whole range plays as one family.
- Open
- The animated Nutrafol logo sting.
- The hook
- One line of kinetic type, full screen.Hair thinning will happen to over half of us.
- The hero
- The product, alone in its own light.
- In use
- Close-ups of hands, capsules and hair, and a top-down view of the daily routine.
- The proof
- Animated before and after results.
- The science
- The causes of thinning, drawn in vector, and what the formula does about them.
- The ingredients
- A flyover of the natural ingredients in petri dishes, then a split screen.
- Close
- The logo again, and the product placed back into frame.
The science, drawn
Rose Hidalgo designed and animated the science. Each film names the everyday causes of thinning, from hormones and stress to metabolism, nutrition and aging, and gives every cause its own vector symbol and its own movement: a tangle for stress, a circle that turns for metabolism, one that drains for nutrition, a pie that fills in for aging. The symbols drift together, turn into abstract strands of hair, and resolve into the daily dose. Nutrafol asked for vector rather than hand-drawn and a deeper teal, so the art was built in Illustrator and kept vector all the way through After Effects, ready for a late change on any film. We cut a voiceover edit of every film first, so the animation always had its final timing to land on.







The Nutrafol logo, in motion
Every film opens on the Nutrafol logo, animated for the series. The sting is quiet on purpose: the white wordmark on the brand’s teal, easing back into place, so each film starts calm before the first line of type. Nutrafol passed on a drop shadow in favor of the flat mark. The type follows the same rule. We designed the type treatments for the series, from the full-screen kinetic lines to the subtitles set in Nutrafol’s ABC Diatype in off-black on soft off-white cards, and Nutrafol adopted them across its own videos from then on.
Six days, three REDs
We shot the whole range over six days at our studios. A pre-light on 14 November, then three or four products a day, the training films and every voiceover on 18 November, and a final day of nothing but natural ingredients for ten different formulas. A RED Raptor held the tabletop, a RED Komodo hung overhead on a Dana Dolly so we could switch from hero shot to top-down routine in seconds, and a RED Ranger worked the close-ups in our daylight studio. While one studio was being reset, we shot in the other. The full breakdown, from the boards to the plugin that kept the art vector, is in our journal.
The call sheets, November 2022
Six days, ten products
Every product had its own set, its own props and its own hands. Nutrafol’s team shot alongside us in the studio.
- Mon 14 Nov · Day 1
- Pre-light, both studios.
- Tue 15 Nov · Day 2
- Women’s Balance, Root Purifier and Build-Up Blocker.
- Wed 16 Nov · Day 3
- Women, Strand Defender and Stress Reliever.
- Thu 17 Nov · Day 4
- Women’s Vegan, Postpartum, Men and Growth Activator.
- Fri 18 Nov · Day 5
- The two Beauty Advisor films, with Nutrafol’s Sam Archer, and every voiceover.
- Mon 21 Nov · Day 6
- Ingredients, products and textures, for all ten formulas.
For the shop floor
The films were made for sephora.com, and the shoot also fed the stores. From the same set we pulled 8K stills for Sephora’s in-store displays: capsules in hand, the routine from above, the jars side by side. The two Beauty Advisor films, with Nutrafol’s Sam Archer walking Sephora’s staff through the nutraceuticals and the hair care, stay behind the counter.


Six weeks
From brief to sephora.com
Wed 5 OctThe briefTen films for Nutrafol’s arrival at Sephora.
Mon 24 OctThe treatmentClean product films, the science drawn in vector.
Thu 3 NovStoryboardsTwo films boarded, every element signed off.
14–21 NovThe shootSix days, three RED cameras, ten products.
Wed 7 DecFirst editsWomen, Strand Defender and the first training film.
Fri 16 DecDeliveredAll ten science films, with and without subtitles.
Mon 19 DecFor the storesStills for Sephora’s in-store displays.
Tue 31 JanOn SephoraNutrafol goes live on sephora.com.
Nutrafol at Sephora, in short
Does Sephora sell Nutrafol?
Yes. Nutrafol launched at Sephora in January 2023: on sephora.com from 31 January and in select US Sephora stores from late February.
Which Nutrafol products are at Sephora?
The hair growth nutraceuticals Women, Women’s Balance, Postpartum and the new Women’s Vegan, plus Men on sephora.com, and Nutrafol’s hair care range: Root Purifier shampoo, Strand Defender conditioner, Build-Up Blocker exfoliating mask, Stress Reliever scalp essence and Growth Activator hair serum.
What are the Nutrafol x Sephora videos?
Ten short science films, one for each Nutrafol product at Sephora, that explain how each formula works in about a minute, plus two training films for Sephora’s Beauty Advisors. RIOT made all twelve, with and without subtitles.
Who made the Nutrafol videos for Sephora?
RIOT, the New York creative agency, directed and produced by Chris “MUG5” Maguire and Nastassja Simone, with art direction and animation by Rose Hidalgo. RIOT handled the boards, shoot, edit, animation, sound, color and subtitles in house.
How long did the Nutrafol x Sephora films take to make?
Six weeks from storyboards to delivery. Storyboards were presented on 3 November 2022, the shoot ran from 14 to 21 November, and all ten science films were delivered on 16 December.
How were the Nutrafol product films shot?
Over six days at RIOT’s studios on three RED cameras: a RED Raptor on the tabletop, a RED Komodo on a Dana Dolly overhead for the top-down shots, and a RED Ranger in the daylight studio for close-ups.
Is Nutrafol Women’s Vegan at Sephora?
Yes. Women’s Vegan debuted at Sephora in January 2023, ahead of its spring launch on Nutrafol’s own site, and it has its own film in the series.
Credits
- Client
- Nutrafol
- Client team
- Roxana Zegan, Executive Creative Director
Rachel Park, Senior Creative Producer
Victoria Dolan, Director, Brand Marketing
Sam Archer, VP Product Marketing & Innovation - Retailer
- Sephora
- Agency
- RIOT
- Directed and produced by
- Chris “MUG5” Maguire
Nastassja Simone - Art direction, animation and props
- Rose Hidalgo
- Director of photography
- James Regan
- 1st AC
- Brian Ansel
- Gaffers
- Mike Keane
Jason Chua - Key grip
- Mark Boucher
- Hair and makeup
- Carmela Cali
- Sound mixer
- Max Phillips
- Stills
- Adrian Nina
- Production assistant
- Andrew Alberson
- Talent
- Denise Abrahamsen
Dominique Armorer
Andrew Alberson - Edit, color and sound design
- Chris “MUG5” Maguire
- Editor
- Rose Hidalgo
ServicesProduct Films·Motion Design·Creative Direction·Editing·Color Grading






























