- Client
- NetJetsPrivate aviation
- Made with
- WSJ Custom ContentRIOT x WSJ
- Film
- Above & BeyondOne minute, one journey
- Shoot
- Three daysWestchester, New York, Columbus
- Delivered
- :60 hero and :15 cutdownsWith and without voiceover, plus a display cut
- When
- Autumn 2019Three shoots, September to November

Stepping onto a private jet should be effortless. Above & Beyond shows everything it takes to make it that way.
WSJ Custom Content brought RIOT in to tell the NetJets story on film. Not a parade of aircraft, but the feeling of flying with them, and the operation that makes that feeling possible.
So we built it as one continuous journey. An executive leaves a Manhattan office, works from the back of the car, pulls up planeside, steps aboard and is airborne by dusk. Cut into that journey is the part passengers rarely see: the flight deck, the operations floor at NetJets headquarters in Columbus, Ohio, the hangars where the fleet is kept in perfect order, and Patrick Gallagher, NetJets’ President of Sales and Marketing, speaking for the company.

The shoot
Three days, three places
30 Sep 2019Hangar 6Westchester County Airport, from a 6am call. The arrival, the handshake, the step aboard, the cabin and the flight deck.
7 Oct 2019The office853 Broadway, New York. The executive's morning, moving through the building on Steadicam.
7 Nov 2019ColumbusNetJets headquarters in Ohio. The operations floor, the hangars and the interview with Patrick Gallagher.
The journey
The film moves at the speed of the person in it: never rushed, never waiting. Every cut hands off to the next stage of the trip, from office window to car, car to tarmac, tarmac to cabin.










Behind the curtain
The other half of the film is the half most owners never see. We took the camera into the flight deck, onto the operations floor in Columbus where the fleet is run, and into hangars so clean the jets reflect in the floor. The point was simple: the calm in the cabin is engineered somewhere else.










Into the dusk
It ends where it should: wheels up into a pink and teal sky, the jet getting smaller over the trees, and a single line. Only NetJets.

The colour of the trip
We graded the film like the trip feels. Cool harbour blues and NetJets teal for the city and the hangar, the warm leather of the cabin, and a dusk that turns the whole sky blush and teal at the end. Every swatch below was sampled from the film.
“Effortless is the hardest thing to film.”
Credits
- Client
- NetJets
- Made with
- WSJ Custom Content
- For WSJ
- Will Misselbrook, William Savona
- Directed and produced by
- Chris Maguire, Nastassja Simone
- Director of photography
- Brandon Ripley
- 1st AC
- Mike Ciecierski, Jeremy Musher, Tim Shumaker
- Steadicam
- Kyle Derry
- Gaffer
- Jared Frost
- Key grip
- Travis Tomlinson
- Swing
- Charlie Hohenshilt, Jon Coy
- Sound
- Eric Vucelich
- Wardrobe stylist
- Lassalle
- Wardrobe assistant
- Star Rollins-Campbell
- Hair and make-up
- Katie Wedlund
- Production assistants
- Rose Hidalgo, Diana Cardona
- Featuring
- Gamzat Lu, Epiphany Lee, Patrick Gallagher
- Edit and colour
- RIOT
ServicesBranded Content·Commercials·Film Production·Creative Direction·Editing·Color Grading